InteractivePerformance ArtPhysical TheatrePrague FringeWoman-Led REVIEW: Be My Guest, Monia Baldini, Prague Fringe Festival ★★★☆☆ Eilidh McKenzie
CircusIndigenous VoicesMelbourne FringePerformance Art REVIEW: Of The Land on Which We Meet, Na Djinang Circus, Melbourne Fringe 2023 ★★★★★ Sarah Kher-Bek
ComedyNew WritingPerformance ArtTheatre REVIEW: Rachel, EnRoute Theatre Company, White Bear, ★★★☆☆ Aditi Mohan
Black VoicesComedyEdFringePerformance ArtPhysical TheatreWorking Class REVIEW: The Black Blues Brothers, Mosaico Errante, EdFringe 2023 ★★★★★ Miriam Trujillo
ClownEdFringeMarginalised GendersPerformance ArtTheatreWomanhood REVIEW: HIGH STEAKS, ELOINA, EdFringe 2023 ★★★★★ Rebekah Smith
Adelaide FringePerformance ArtTheatreWomanhood REVIEW: MUSTARD, Fishamble, Adelaide Fringe ★★★★★ Maddie London
EditorialInteractivePerformance ArtVAULT Festival EDITORIAL: Let the ‘Love In’ at VAULT Festival Jake Mace
Digital PintsMarginalisedPerformance ArtQueerVAULT Festival INTERVIEW: A Digital Pint with… ELOINA, betting with ‘HIGH STEAKS’ at VAULT Festival Jake Mace
INTERVIEW: A Digital Pint with… Minna Gillett, Putting a New Spin on ‘The Taming of the Shrew’ with Edinburgh University Shakespeare Company in 2024 February 6, 2024
Eilidh McKenzie
Sarah Kher-Bek
Aditi Mohan
Miriam Trujillo
Rebekah Smith
Maddie London
Jake Mace
