GriefMelbourne FringeNeurodiversityStorytellingTheatre REVIEW: Twenty Minutes To Nine, Amanda Santuccione, Melbourne Fringe 2023 ★★★★☆ Sarah Kher-Bek
AgeAsian VoicesComedyMelbourne Fringe REVIEW: Fever Dream, Rao Morusupalli, Melbourne Fringe 2023 ★★★☆☆ Sarah Kher-Bek
CircusIndigenous VoicesMelbourne FringePerformance Art REVIEW: Of The Land on Which We Meet, Na Djinang Circus, Melbourne Fringe 2023 ★★★★★ Sarah Kher-Bek
Asian VoicesMelbourne FringeTheatre REVIEW: Love Letters, Do Theatre, Melbourne Fringe 2023 ★★☆☆☆ Sarah Kher-Bek
Prague FringeQueerStorytellingTheatre REVIEW: ‘Pt 1: Outside, in the Laneway, Under the Stars’, Hard Times, Prague Fringe 2023 ★★★★☆ Sarah Kher-Bek
Prague FringeTheatreWomanhood REVIEW: Jekyll & Hyde: A One Woman Show, Sweet Productions, Prague Fringe 2023 ★★★★★ Sarah Kher-Bek
Asian VoicesComedyPrague FringeRace & Identity REVIEW: Laughable, Sezar Alkassab, Prague Fringe 2023 ★★★☆☆ Sarah Kher-Bek
EdFringeMarginalisedStorytellingTheatre REVIEW: Angel, Henry Naylor & Torch Theatre Company, EdFringe 2022 ★★★★★ Sarah Kher-Bek
ComedyEdFringeSpoken WordStorytelling REVIEW: Stop the World I Want to Get Off, Jacky Power, EdFringe 2022 ★★☆☆☆ Sarah Kher-Bek
A Digital Pint with… F-Bomb Theatre, tackling women’s safety with defiant verve at EdFringe 2022 June 9, 2022
Sarah Kher-Bek
