ComedyDragEdFringeNew WritingQueerTheatreWoman-LedWomanhood REVIEW: The Evolutionary and Inescapable Rotting of Girlhood, Yuffa Fringe, EdFringe 2024 ★★★☆☆ Rebekah Smith
EdFringeHistoryNew WritingTheatreWoman-LedWomanhood REVIEW: / and Her, Jennifer Grober, EdFringe 2024 ★★★★☆ Rebekah Smith
EdFringeHistoryNew WritingPoliticsQueerTheatre REVIEW: Lessons on Revolution, Undone Theatre and Carmen Collective, EdFringe 2024 ★★★★★ Rebekah Smith
ClassEdFringeNew WritingQueerSapphicTheatreWoman-LedWorking Class REVIEW: Hardly Working, BPM Theatre, EdFringe 2024 ★★★☆☆ Rebekah Smith
Climate CrisisCommunityEdFringeMental HealthNew WritingTheatre REVIEW: The Santa Ana, Crossed Wires, EdFringe 2024 ★★★★★ Rebekah Smith
EdFringeGriefIllnessNew WritingTheatreWoman-Led REVIEW: Knives and Forks, Band of Sisters Theatre, EdFringe 2024 ★★★☆☆ Rebekah Smith
EdFringeNew WritingSapphicTheatreWoman-LedWomanhood REVIEW: In the Lady Garden, Lady Gardeners, EdFringe 2024, ★★★☆☆ Rebekah Smith
EdFringePuppetryTechnology & AITheatre REVIEW: Bark Bark, Buzzcut Productions, EdFringe 2024, ★★★★☆ Rebekah Smith
ClownEdFringeMarginalised GendersPerformance ArtTheatreWomanhood REVIEW: HIGH STEAKS, ELOINA, EdFringe 2023 ★★★★★ Rebekah Smith
Black VoicesEdFringeSpoken WordTheatre REVIEW: waiting for a train at the bus stop, Mwansa Phiri, EdFringe 2023 ★★★★☆ Rebekah Smith
INTERVIEW: A Digital Pint with… Neil Frost, Taking Us Behind ‘The Door’ at Prague Fringe 2024 May 21, 2024