Author - Jake Mace

Adelaide Fringe History Musical Theatre Queer

INTERVIEW: A Digital Pint with… Ania Upstill, on Shakespeare’s Queerest Character, ‘Antonio!’

Adelaide Fringe Black Voices Music Storytelling

INTERVIEW: A Digital Pint with… Duane Forrest, on Bob Marley and How Reggae Changed the World

Adelaide Fringe Gender Theatre Woman-Led

INTERVIEW: A Digital Pint with… Melody Rachel, on Masculinity and Mark Wahlberg

Adelaide Fringe Comedy Technology & AI

INTERVIEW: A Digital Pint with… Jacob Jackman, on AI Therapy and Absurdist Comedy

Adelaide Fringe Cabaret & Variety Drag Music Non-Binary Queer

INTERVIEW: A Digital Pint with… Adore Händel, on Lust, Longing, and Historical Gossip

Adelaide Fringe Clown

INTERVIEW: A Digital Pint with… Andrea Barello, on Being a Clown Who Wants to be Loved

Adelaide Fringe Cabaret & Variety Comedy History Queer

INTERVIEW: A Digital Pint with… King of More, Dane Lukic, on Human Connection and Colourful Yarn

Adelaide Fringe Storytelling Theatre Woman-Led

INTERVIEW: A Digital Pint with… Joann Condon, on Unpacking Boxes and Emotional Vulnerability

Adelaide Fringe Dance

INTERVIEW: A Digital Pint with… Chloe Keating, on Libraries, Preservation, and Searching for Answers

Adelaide Fringe Clown

INTERVIEW: A Digital Pint with… Jessica Barton/Mary Floppins, on Doing All the ‘Dirty Work’ at Adelaide Fringe

Adelaide Fringe Clown Woman-Led

INTERVIEW: A Digital Pint with… Lauren Brady, on Becoming a Chain-Smoking Half-Swan Half-Ballerina

London Marginalised Genders Queer Race & Identity Technology & AI Theatre

INTERVIEW: A Digital Pint with… Arianna Muñoz, on being Chronically Online and the Realities of Fangirling

Community London Theatre Working Class

INTERVIEW: A Digital Pint with… Georgina Duncan, on Northern Communities, Cherry Liquor, and ASBOs

Adelaide Fringe Clown Comedy Queer

INTERVIEW: A Digital Pint with… Lil Wenker, on Cowboy Rivalry, Manhood, and International Clownery

History London Theatre Woman-Led Womanhood

INTERVIEW: A Digital Pint with… Claire Parker, on Victorian Feminism, Magic Realism and Mary de Morgan