AbsurdistClownPhysical TheatrePrague Fringe REVIEW: Arthur Vinegar: Good Boy, Prague Fringe 2026 ★★★★ Shay Mace
HistoryPrague FringeTheatre REVIEW: Moliere: The Last Laugh, Perfect Fools in association with Block Learning Ltd, Prague Fringe 2026 ★★★ Salvador Kent
AbsurdistComedyInteractivePrague FringeTheatre REVIEW: The Mothman Cometh, Whisper Theatre Collective, Prague Fringe 2026 ★★★★★ Magdaléna Škerenčák
MagicPrague FringeStorytelling REVIEW: Dazed and Confused, Lin Lu-Chieh, Prague Fringe 2026 ★★★ Raynar Rogers
ClownPrague FringeReligionSexuality REVIEW: (W)holy Helga, Nazaret Froufe, Prague Fringe (2026), ★★★★ Salvador Kent
HistoryPrague FringeTheatre REVIEW: Hunchback of Notre Dames, Pip Utton, Prague Fringe 2026 ★★★★ Magdaléna Škerenčák
AbsurdistCabaret & VarietyPrague Fringe REVIEW: Pickled Republic, Decoy Leg, Prague Fringe 2026 ★★★ Salvador Kent
Prague FringeStorytellingTheatre REVIEW: Sherlock Holmes The Death and Life, Prague Fringe 2026 ★★★★ Mike Dorey
FeministMarginalised GendersPrague FringeTheatre REVIEW: The High Priestess – Johanna, Beatrice Schiaffino, Prague Fringe 2026 ★★★★ Magdaléna Škerenčák
AgeDanceIllnessPrague FringeTheatre REVIEW: Dance with Dementia, Bandone Productions, Prague Fringe Festival ★★★★★ Raynar Rogers
HistoryIndiaPoliticsPrague FringeSpoken WordTheatre REVIEW: Last Train from India, UnErase Poetry, Prague Fringe 2026 ★★★★ Salvador Kent
Genre-DefyingPrague FringeTheatre REVIEW: Piano Smashers, Rob Thompson and Rupert Page, Prague Fringe 2026 ★★★ Magdaléna Škerenčák
ClassPhysical TheatrePoliticsPrague Fringe REVIEW: Boxeur, Pequodcompagnia, Prague Fringe 2026 ★★★★★ Salvador Kent
HistoryPrague FringeQueer REVIEW: Roots – Radici, Antonio Anzilotti De Nitto, Prague Fringe 2026 ★★★★ Salvador Kent
INTERVIEW: A Digital Pint with… Joann Condon, on Unpacking Boxes and Emotional Vulnerability February 25, 2025